Clients over the last 50+ years include

A&M Records
Abbey Road Studios (since 1980)
Air Studios Montserrat
Barry Gray of Thunderbirds / Captain Scarlett
Bonhams, Auctioneers
Bray Film studios for the late Gerry Anderson
British Grove Studios
CBS Soho
Chemical Brothers
Command Studios Piccadilly
CTS Kensington
CTS Wembley
De Lane Lea Studios, Soho
Eden Studios Chiswick
Electric Mastering, Westbourne Studios
Elstree Film Studios
EMI Studios Barcelona
Fleetwood Mobiles
Gary Barlow
Guy Fletcher
Jamie Cullum
Livingston Studios
Jerry Boys
John Lennon’s studio at Tittenhurst Park
Manfred Mann
Mark Angelo Studios
Mark Ronson
Noel Gallagher
Paul Epworth
Robert Miles
Tinie Tempah
The Church Studio for the Eurythmics
Townhouse Studios for Universal Records
Trident Studios Soho
Wisseloord Studios, Netherlands


Pink Floyd Dark Side of the Moon console EMI TG 1234 MKIV which sold at auction in 2017

MJ (centre) & ‘Team TG’ with the EMI TG 1234 MKIV from Abbey Road Studio 2, which was used to make Pink Floyd’s Dark Side of the Moon album. The console fetched $1.8m at auction.


3 generations of improvising

Jackson 1972-fixed

Malcolm posing at Jackson Studios, Rickmansworth in 1972

The name MJQ is supposedly short for “Malcolm Jackson Quipment” in homage to the 50s jazz quartet much admired by Malcolm Jackson, who has specialised in brokering professional recording studio equipment since 1965.

MJ sort of fell into the role of Studio Real-Estate Broker when Barry Gray (of Thunderbirds fame) asked to clear out the contents of his studio and sell the building before moving abroad.

jacksons 1977

Equipment sales began as a sideline for MJ whilst running Jackson Studios with his brother John, which they had developed from the former studio of their Dad, the famous BBC Radio disc jockey Jack Jackson.


Jack was originally a cornet player for Jack Hylton before starting his own band and his orchestra had the residency at the Dorchester Hotel in London for a few years (once firing a young saxophonist by the name of Ronnie Scott for getting stoned on the job).

JJ orchestra

Luxembourg Radio was Jack’s break into the world of broadcasting and eventually he went on to become a household name with his weekly Record Roundup on the BBC light programme. Jack coined the nickname “Aunty” for the BBC that is still used today.

JJ with Tiddles

Jack Jackson’s Record Roundup : BBC Saturday night programme of lightning cutting between, and mixing of, comedy extracts and music. Jack Jackson had a fictitious cat called Tiddles who used to meaow at appropriate moments when he liked a tune, hence the picture of Jack with a cat.

The Jackson sons: Malcolm & John, ran Jackson Studios and legendary engineer Vic Maile.

Jackson Studios team

Jackson brothers John & Malcolm with John’s daughter Sally, pictured here with Mick Flinn of The New Seekers

Thanks to Vic, Jackson Studios became weirdly synonymous with the punk era; Motorhead’s Ace of Spades was notably one of Vic’s biggest successes there.


Motorhead with Vic at Jackson Studios

Motorhead with Vic Maile at Jackson Studios (when they weren’t next door doing tea & space cakes with Grandma Jackson).

Other bands included Dr. Feelgood, The Inmates, Girlschool, UFO, 2468 Motorway, Eddie & The Hotrods and a bunch of other obscure acts on the in-house labels Jackson Recording Company Ltd. and Ad-Rhythm Records.

Jackson label

MJ went on to form the former London Studio Exchange, as well as co-founded the Distinguished Audio Engineer’s Federation (DEAF) with legendary engineers Keith Grant & Eric Tomlinson, that raised hundreds of thousands of pounds for deaf children through its hell-raising charity events.

Over the years MJ has run some of the industry’s big equipment auctions including Sale of the Century at Abbey Road in 1980, Trident Studios, CTS Wembley, The Town House, Eden Studios & Mark Angelo.


Brochure from 1978


“I sold the Neve from Air studios Oxford Circus to Atlantic Studios on Broadway, NY. We had to get a crane alongside the studio in London and take it out of the 4th floor window. It stopped the traffic in Ox Circus for a few minutes. The price was £140,000, so I went along to Coutts in the Strand and opened an account. I lost it later in the great crash of 76, 83, 87, 94,98 and 2002. Motto:-  You can make a million in the Music Business … you just need to start with 3 million. I went to  Atlantic in NY to see it in a bit later and while I was there went to the Brill building where all the music people hang out. There’s a music shop on the ground floor and I went in to have a look around.  There was a guy in a shabby raincoat at the counter buying a plectrum – and I heard the assistant say Thanks Les.    It was Les Paul- so I said hello. He made million-selling records in the 50’s with his wife – Les Paul and Mary Ford – and he was the one who really started the multitracking thing.  I hope he’s got a good lawyer… The Neve from Montserrat followed that.  I sold it to Herb Alpert at Sunset studios Sunset Blvd and Mum and I went over to Montserrat for a week.  There were no forklifts to get the console out of the control room window so I got 15 big guys from the Montserrat rugger team to come along and lift the console.    It had to be put in a wooden crate so I organised that.  The only wood for that on the island was mahogany – people made their gardens fences out of it – and that made the crate quite heavy. It had to go to Antigua to get on a plane, and that had to be by boat.  We got the only boat with a crane on board which belonged to the Island Governor. He also ran a sugar exporting business.   It was a hair-raising moment when the console had been lifted off the lorry on the dockside by the crane and for a moment was swinging over the water until it landed on the boat deck. Then the boat went to Antigua. Dave Harries and I went to A & M a few weeks later to see the console in, and afterwards celebrated in the bar next door. That was where Herb Alpert had the great fortune to meet me.  Just kidding…I had my first Margerita there… well 9 actually. In the end I fell off the barstool and have remembered nothing since. Yours sincerely, MJ p.s. why are you telling me all this ?”

Neve console from Air Montserrat

Montserrat’s 1st IX working on the Neve from Air

Today MJQ is run by MJ & son Hamish, with the help of specialist freelance technical service engineers, legal advisors, friends & ambassadors of Quan…

MJ, HJ & M. Chawat


MJQ provides valuations for insurance etc.

Email us a list of your existing equipment and we will return a market valuation at no cost (limited to 30 items of equipment).

or alternatively, for an inventory of more than 30 items, if you need an in-depth valuation for insurance which involves MJQ visiting your premises and viewing the equipment our charges are £60 per hour plus travelling expenses.

MJQ are leading studio equipment and property valuation experts, 

and have a wealth of experience dealing with the appraisal requirements of corporate or private studio facilities.

The majority of MJQ’s work is for insurance valuations:
This is a formal equipment valuation on the basis of retail replacement or open market values for either insurance requirements, fundraising exercises, or confirmation of asset values for banks and investors.

MJQ also carries out Inventories, asset tagging and general valuations.


A market valuation will give you an accurate and up-to -ate valuation of your studio property’s current value.

An insurance valuation is a thorough assessment of the rebuild cost of the property.

A new investor valuation will provide you with an accurate value of the property which will assist your restructuring of the company or seeking further investment.